A collection of 19th century Continental microscopes
and related items

Very early example of Fraunhofer's box-mounted achromatic microscope, made between November 1812 and February 1814. Signed on the stage "Utzschneider, Reichenbach, Fraunhofer in Bendictbeurn [sic]".

Circa 1820 reflecting microscope by Amici. Signed on the end of the tube: "Amici, Modena".

Selligue microscope by Vincent Chevalier, modernised by Hugh Powell in the early 1830s. Signed on the tube "Selon M[onsieu]r Selligue, par Vincent Chevalier ainé, Ing[énieu]r Opt[ici]en Breveté, quai de L'horloge № 69 à Paris."

Selligue microscope by Cauchoix. Signed on the tube "Cauchoix Opticien, à Paris."

Horizontal microscope by Vincent & Charles Chevalier, in contemporary literature referred to as 'microscope d'Amici' (Amici type microscope). Signed on the tube "Vincent & C. Chevalier Ing[énieu]rs Opt[icie]ns, Quai de l'horloge № 69 à Paris" and on the tube cradle "CH. CHEVALIER, 154"

Signed on the drum base "Brevet d'Invention, Trécourt & Georges Oberhaeuser, Place Dauphine № 19 à Paris". Trécourt and Oberhaeuser took out a patent for this 'microscope à tourbillon' in 1837.

In chronological order from left to right. The first four are signed on the drum base "Brevet d'Invention, Trécourt & Georges Oberhaeuser, Place Dauphine № 19 à Paris". The fourth bears an additional signature by its retailer: "A. Abraham, Liverpool.". The last one is signed on the arm: "Trécourt, & Georges Oberhaeuser, Place Dauphine № 19 à Paris. Brevet d'Invention, Microscope, Platine à Tourbillon."

Pocket microscope by Charles Chevalier. Referred to by the manufacturer as 'microscope diamant', because of its "small size and magnificent effect". Signed on the tube "Charles Chevalier, Palais Royal 163, Paris".

Microscope designed by Filippo Pacini and manufactured by Amici for George John Warren Vernon. When visiting Amici's workshop in Florence, Lord Vernon noticed Pacini's microscope being constructed (at present in the Museo Galileo, Florence) and asked Amici to make a second example.

The pocket microscope - mounted on top of its cylinder container - and the midsize model are both signed on the tube: "Brunner à Paris". The large model is signed on the tube: "Brunner, à Paris, 34, Rue des Bernardins".

Early Silbermann heliostat by Jules Duboscq. Signed on the drum: "J. T. Silbermann invtr. J. Duboscq - Soleil fecit. Paris, № 52" and on the clockwork: "PAUL GARNIER PARIS 2942".

The microscope of Alphonse de Rayneval, French ambassador to the Vatican from 1850 to 1857.

Achille Brachet asked Amici in 1852 to make him the best possible microscope.

Early example of Nachet's 'large model' microscope. The working instrument of Frederick William Pavy. Signed on the arm: "NACHET, Opticien, à Paris, rue Serpente, 16" and on the case: "Dr F. W. Pavy". In 1853, like many British medical men, Pavy went to study medicine in Paris and returned to London the following year. This microscope dates from exactly that period.

Portable microscope (microscopio tascabile) by Giovanni Battista Amici.

Prototype of Nachet's 'large perfected model', most likely made for Frédéric Villot, curator of the Louvre Museum. Signed on the base: "NACHET ET FILS, Rue Serpente, 16, Paris". This prototype of the 'grand modèle perfectionné' includes quite a number of novelties, of which many did not survive in the production version. The coarse focusing is not by the usual rack and pinion, but by a chain winding round a spindle controlled by the wheels.

Early example of Nachet's 'large perfected model'. Signed on the base: "NACHET ET FILS, Rue Serpente, 16, Paris". Contrary to the prototype, in this production version the square vertical limb contains a rack and not a fusee chain. In addition, the body-tube arm and the tube can no longer be detached.

Circa 1877 petrological microscope by Nachet. Signed on the base: "NACHET ET FILS, 17, rue S[ain]t Séverin, Paris". The analyser was placed at the lower end of the internal tube and difficult to remove. Just above the objective, one finds an intriguing revolver holding different Bertrand lenses, allowing the use of convergent light.

Circa 1879 petrological microscope by Nachet. Signed on the base: "NACHET ET FILS, 17, rue S[ain]t Séverin, Paris". This model represents a slightly improved design allowing the analyser to be freely removed from the tube. An absolutely identical instrument was used by the famous mineralogist Evgraf Stepanovich Fedorov and is depicted in his 1893 work 'Теодолитный метод в минералогии и петрографии' (Theodolite method in mineralogy and petrology).